Fashion Designers A–Z. 40th Ed.
(Author) Valerie SteeleFrom Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century's worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology in New York City are celebrated in this fresh edition of Fashion Designers A-Z. This accessibly priced and updated collection features photographs of hundreds of garmentsselected from the Museum's permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-style minimalist chic, each chosen piece is selected not only for its beauty but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers. Texts by the museum's curators explain why each designer is important in fashion history and what is special about the garments featured, complemented by drawn portraits by Robert Nippoldt. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon. About the series TASCHEN turns 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program--now more compact, friendly in price, and still realized with the same commitment to impeccable production.
Valerie Steele
Valerie Steele is a renowned fashion historian and curator, best known for her work in exploring the intersection of fashion and culture. Her book "The Corset: A Cultural History" is a seminal work in the field, showcasing her meticulous research and engaging writing style. Steele's contributions to literature have shaped the way we understand fashion as a form of self-expression and social commentary.