DISCOVER THE DU MAURIER DARK ROMANCE COLLECTION 'Rebecca has woven its way into the fabric of our culture with all the troubling power of myth or dream. A stunning book' SARAH WATERS 'It's the book every writer wishes they'd written' CLARE MACKINTOSH 'The greatest psychological thriller of all time' ERIN KELLY *** He did not belong to me at all, he belonged to Rebecca. . . Everyone knows that Maxim de Winter was obsessed with his glamorous wife - and devastated by her tragic death. So when he proposes to a shy, anxious young woman after a whirlwind meeting in the South of France, no one is more surprised than the new bride herself. But when they reach Manderley, his beautiful, isolated Cornish mansion, the second Mrs de Winter begins to realise that every inch of her new home - and everyone in it - still belongs to Rebecca. 'The perfect story by the perfect storyteller' JOANNA CANNON 'One of my all-time favourites' ERIN MORGENSTERN 'She's so deviant. So fascinating' EMERALD FENNELL 'Will chill you as much as any thriller' ALICE SLATER 'Daphne du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING
Daphne Du Maurier
Daphne du Maurier was a British author known for her compelling and atmospheric novels and short stories. Her most notable works include "Rebecca," "My Cousin Rachel," and "Jamaica Inn," which often feature elements of suspense, mystery, and the supernatural. Du Maurier's writing style is characterized by its rich descriptions, complex characters, and ability to create a sense of tension and unease.
Du Maurier's impact on the literary genre of gothic fiction and psychological thrillers is significant, as she was able to blend elements of romance, suspense, and psychological depth in her works. "Rebecca," her most famous novel, is a classic of 20th-century literature and has been adapted into numerous films and stage productions. Overall, Du Maurier's contributions to literature continue to be celebrated for their enduring popularity and influence on modern storytelling.
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